Posts tagged ‘Octavine Illustration’
29 January 2013
Thirteen years ago I created a ketubah for a close friend. Knowing I knew Hebrew calligraphy and could draw, he asked me to use my artistic license and create a piece of art for their traditional Jewish wedding. Word spread and suddenly I had a new career for myself.
Never have I fully explained exactly what a ketubah is. So here it goes.
The ketubah is a marriage contract that the groom is required to give the bride spelling out the husband’s obligation to his wife. Originally, it was considered so binding that a couple whose ketubah had been lost was forbidden to live together until a new ketubah was written.
Although the ketubah is not mentioned in the Torah, the first reference to a deed associated with a Jewish marriage ceremony is the 5th century BCE. Written in Aramaic, the spoken and written language of the period, it specified that a groom must provide his wife with “food, clothing, and necessities” and entitled him to her earnings. It protected her from arbitrary divorce and guaranteed her alimony.
In the Middle Ages it was standardized and used throughout Central and Western Europe. In 1492 after the Spanish expulsion, the Jews who resettled made slight departures from the standard text by adopting local customs.
When Israel was established, ketubah text was standardized. During the 1970’s, illuminated ketubot experienced a resurgence that has continued, not only among Jewish couples, but among others who wished to have a custom written document celebrating their marriage.
Many couples commission ketubot with traditional language using both Aramaic and English while others choose their own special vows.
Pictured is my Art Nouveau Custom Ketubah.
24 January 2013
It’s been a while…
I find it difficult to summarize my life thus far. I moved into an 1889 Portland Alberta Arts District Victorian until California came calling. I am now in Marin County perched upon a hilltop . No longer residing amidst bars, coffee shops and perpetual multiplying of bespectacled hipsters, I now find myself surrounded by fruit trees and baby boomers. A different life.
Creating art is the only constant. Much of my focus on Ketubah, I find refuge in creating illustrations based on Art Deco and Art Nouveau sensibilities. I find solace in the minute movements of the calligraphy pen and in the sheer concentration (followed by instant gratification or impending doom) it takes me to ink a piece of my own artwork. Without mistake.
Pictured is “The Japanese Lantern Ketubah.” It is the first time I inked directly onto the paint (gouache) itself rather than containing the calligraphy to a text box. It was intensely stressful as any false move could mean disaster for a completed 22″ x 30″ painting. I endeavored and proved successful.
The wedding was an elaborate Art Deco affair held in the stunning Edison Ballroom in Manhattan. A gorgeous affair, a beautiful couple, and, I must admit, a sense of pride in accomplishing something new.